Comp titles are one of the most hated parts of querying literary agents. I think they are worthy of a rant.🔥
✅ Chapters:
0:00 – Comp Titles Explained
0:20 – Why Agents Require Comp Titles
0:46 – The “Recent Debut” Rule (2–3 Years Only)
1:14 – Why Indie & Unique Books Get Ignored
1:32 – How Comp Titles Create a Publishing Echo Chamber
2:04 – For Readers Seeking Fresh, Original Books
Royal Road is the biggest web serial platform in fantasy and sci-fi.
If you want a real shot at traction there, you need to write with the audience in mind. Because Royal Road is not Amazon, Webnovel, or Wattpad. It has its own culture and its own reader expectations. Some stories are an easy sell to the RR audience, and some are a hard sell no matter how talented you are.
Here are 7 likely reasons why Royal Road readers quit reading your story.
📌 In this video, you’ll learn:
✅ What Royal Road readers consider “amateur writing”
✅ What genres are easiest to sell on Royal Road
✅ Why power progression dominates the platform
✅ Why infodumps and slow openings kill retention
✅ Why multiPOV is a bigger risk than most writers realize
✅ The hidden reason “too much suffering” turns readers off
✅ What kind of romance and comedy works (and what doesn’t)
I’ve read many of the top trending Royal Road series (and I rate them on Goodreads), and I’ve personally hit #4 on Rising Stars. This is my analysis of what the platform rewards right now, and which writing styles (including multi-POV, present tense, and overly literary prose) might quietly sabotage your launch.
🔥 Happy writing! And good luck reaching for Rising Stars.
Timing a great launch window for your fantasy or sci-fi novel series.
00:00 When should you launch a novel series?
01:03 Launching during the Royal Road Writathon, or avoiding it
03:19 Which month is best for a Royal Road launch?
04:36 Is there an ideal time zone for chapter releases on Royal Road?
05:08 Weekends or Weekdays for a Royal Road launch?
Royal Road EXPLAINED: Abby chats about why so many readers and authors are turning to this hot site for serialized fiction.
Ever wonder why we’re not seeing new ‘mega-name’ authors like Stephen King or J.K. Rowling? This video explores the current state of the book publishing industry and mass media, covering contenders such as Brandon Sanderson and Sarah J. Maas, while also questioning the absence of global superstar authors in contemporary literature and books. It’s a critical discussion for anyone invested in writing and reading.
Here are some hard truths about earning income, and passive income, as a creative in today’s Western countries. I am generalizing for all the arts, but especially the niches where I come from.
Here’s my inside look at the male reading crisis, which I believe is very much engendered by the book industry. Reading should be for everyone.
00:00 Why the male reading crisis shouldn’t be dismissed.
01:19 What do men prefer in a good story? Here it is.
02:44 The big best-sellers of the last twenty years cater to teen and female audiences.
04:13 Why the book industry leans female: a feedback loop of risk avoidance driven by analytics. Also…
05:34 The tastemakers of the book industry are mostly underpaid, stressed out young women.
07:12 And big publishing avoids epic series, aka big and heroic tales.
07:59 Where do men go for stories? Videogames, manga, and underground niches such as web serials.
09:27 Some hope for male-oriented fiction going mainstream.
10:48 Men who read are sexy.
Related video on the decline of literacy
It’s not learning a skill when you just press a button, but the economic and social pressure to use it (and to rapidly iterate low effort content) is intense. Here’s my hot take on writers and other creatives using generative A.I. to package and promote their otherwise high effort human endeavors.
Whether professional or amateur, sci-fi and fantasy writers rarely finish the epic series they start. Abby explores the reasons why authors abandon their series, having run that gauntlet herself, as well as having studied the craft for over twenty years.
Abby pays a lot of attention to the sci-fi & fantasy publishing industry, over 20+ years of taking writing seriously. Here’s her take on the latest controversy among indie authors who write progression fantasy, litRPG, isekai, superhero, wuxia, and web serials.
