Why most writers are actually plantsers…
Are you a plotter or a pantser?
Most writers pick a side. But I think the real answer is messier and more nuanced. In this video, I break down the gardening vs. architecting spectrum from a fantasy and sci-fi writer’s perspective.
Whether you’re writing flash fiction or a 10-book epic series, your approach to outlining needs to match your story’s scope, your voice, and how your creative brain actually works.
I share the hybrid system I used across two series of epic fiction, including the four-act structure I mapped out for each volume of the Torth series.
Here’s why a meticulous outline can fall apart mid-draft when a new character shows up, and why my series skeleton is a work in progress even 390,000 words in.
Timestamps:
- 0:00 Gardening vs. Architecting (the real plotter/pantser debate)
- 0:26 Why story scope and format change everything
- 0:58 What discovery writing actually looks like
- 1:57 The case for writing to a formula (and why I don’t)
- 2:51 My four-act structure and the Torth series
- 3:47 The house of cards problem, 390,000 words in
- 5:28 My hybrid approach: the Hanging Gardens of Babylon method
Crafting an epic novel (or series of them) is like building a house of cards. The foundational layers are crucial and difficult to change. The upper layers are malleable and in flux.

