Against the incentives that drive rapid release

There’s a myth going around the online spaces where creatives hang out. That myth is that consumers are all incredibly voracious beasts who just want moar and moar and moar, and that no matter how many thousands of books/films/games are published each day, the consumers can never be satiated. Every reader must be reading 100,000,000,000 words per day.  It is therefore every professional creator’s duty to deliver as much content as possible. Anything less and you (as a creator) will be ignored, left behind, and relegated to obscurity forever.

I first began to hear this myth circa 2010. When I pressed one of its propagators for an explanation–“But why? How do you know this is true?”–she responded with insults. If I dared to question her sage advice to rapid release, then I had zero chance to become a bestseller or anyone of note. She didn’t know why. She just knew it was so.

She is mostly right, it turns out.

Most income earning creatives (authors, etc.) stay in the black by hewing to the principle of rapid release. As of 2024, the common professional advice to indie authors who want to earn a full-time living is to produce more than 400,000 words per year. That’s equivalent to four or five novels.  Any less than that, and you won’t be able to capitalize frequently enough on Amazon’s new release category. Your brand name will get buried in the nonstop deluge from fellow authors who are also releasing new books. You will not be noticed. (And sure, you can attempt to land a trad pub Big Four sweetheart contract, but everyone knows that’s pie-in-the-sky. Gaining Big Four marketing clout is like winning the Olympics or the lottery.)

The principle of rapid release doesn’t just apply to major retailers like Amazon. It pervades all spaces for creative works, including free fiction hubs like Wattpad and Royal Road. It is not solely a problem created by megacorporations. Indie game developers and indie film makers and indie comics creators and indie musicians are dealing with the same thing, even in their underground free incubators.

And now we have LLMs, aka “generative A.I.” empowering creatives enabling uncreatives to produce even moar content faster. Rapid release is skyrocketing. Rapid release rules all. Rapid release is everywhere, and how dare you question it. Conform or die.

I’m not questioning the fact that rapid release works. Everyone knows that it is, by far, the most effective way for indie creators to gain viable income streams. It clearly is. There is no denying the ever-increasing mountains of proof.

I’m questioning the reasons driving it.

There have always been bookworms who love pulp fiction (I’m one of them), but I don’t believe that’s the key driver in demand here. I think the demand is being artificially inflated by visibility algorithms that favor fresh releases and frequent releases. Consumers would have to dig very deep in order to surface content that’s older than an hour on Amazon, or older than 17 minutes on Royal Road. Consumers are constantly presented with the latest new release. With thousands per day, they can scroll endlessly, so most only see the top ten titles above the fold. Therefore, every author is scrambling to game the visibility algorithm so their work appears on top of the ongoing heap as frequently as possible.

And I question the benefits of rapid release, both to society and to the individual creator.

There is always going to be someone who writes faster and produces more. Is this really the best vector to compete on? Does high volume production make for a healthy lifestyle? Is this how you want to live, long-term? Maybe it is, and that’s fine. But I don’t like the fact that all of the incentives in the publishing industries are aligned towards super high volume rapid content production.

Speaking from the other side, as an avid consumer of fiction … I prefer the epic stories that were decades in the making. There are some pulp fiction rapid release authors I admire and like. But I would hate for that to be all there is. By de-incentivizing in-depth world-building and slow crafting, I think we do a disservice to the future of art in general.

I guess there will always be slow, careful crafters in the writing world and in all other creative industries. Some crazy idiots like me will ignore (or try to ignore) the pressure to write rapidly and to up their word count targets. They’ll plod along and hope someone, anyone, notices their staggering work of creative genius that never shows up in the latest release list on any website.

We’re heading into a dark time in the arts. I don’t want to be a doomer. But.

I’ll keep writing at my own pace. I’ll seek out others who do the same. But I suspect we will all remain underground and we will rarely, if ever, get noticed by mainstream consumers. This is the world we live in.

COLOSSUS RISING has risen!

Colossus Rising

Colossus Rising

 

Available now on Kindle and Kindle Unlimited, Audible, and as a print paperback, this is a sci-fi odyssey you won’t want to miss. In the gripping second volume of this electrifying sci-fi fantasy series, the battle for survival reaches new heights in the unforgiving depths of space.

A ragtag group of escapees hurtles through the vastness of space, pursued by armadas, saboteurs, and kamikaze armies. The Earth they once knew is blocked by the relentless Torth Majority who now threaten all of humanity.

Among the escapees is Ariock, a powerhouse of a gladiator with illegal superpowers, a legacy from his legendary great-grandfather who defied the Torth. Ariock is determined to follow in his footsteps. Then there’s Thomas, a brilliant supergenius, physically challenged but gifted with a mind that’s both awe-inspiring and enigmatic. His resilience is shrouded in mystery, even to his foster sister Vy.

Their common thread is fear of the unknown. Crash-landing on a distant, toxic planet, they discover it’s the ancestral home of the Torth, their galactic enemies. The remnants of the Torth era of origin still haunt this poisoned wasteland.

As they face mutant horrors and relentless galactic foes, Thomas envisions only doom and despair. But for Ariock and the streamship exiles, it’s a do-or-die struggle for survival—a quest to uncover light in a city trapped in eternal night.

With over 750,000 views as a web serial, the Torth series begins with Majority. Superpowered mavericks and supergeniuses vie for galactic dominance against a collective armada composed of 38 trillion personalities. Higher stakes than Red Rising or The Expanse. One of the 100 Best Indie Books of 2023 by Kirkus Reviews.


If you read these books, please rate them or leave a review!

Goodreads: Majority | Colossus Rising

Amazon: Majority | Colossus Rising | World of Wreckage

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On Bullshit Jobs and Enshittification

I’m working on a new series about a country bumpkin who reverses the enshittification of magic.

So I just read and reviewed Bullshit Jobs, a nonfiction book that touches on a phenomenon that a lot of Westerners can observe. Big business seems to have a reverse Midas effect, where it turns good things to crap instead of to gold. Cory Doctorow wrote about this and the term entered pop culture. On a related note, an awful lot of people are employed doing meaningless tasks, ticking boxes and generally doing nothing more than covering the collective asses of their bosses. The number of middle managers in America has skyrocketed in recent years.

It’s great that so many people are recognizing this as a societal problem. It’s validating to know I’m not crazy. But I don’t think there is common agreement on the root cause of the problem. 

From my point of view as a lifelong artist and writer… everyone is an artist and writer these days. Everyone believes they have something worth saying to the world. And for the first time in human history, everyone has the means to do so. In an attention economy, the people who are able to buy or beg the most attention from the masses are the winners. These are the people who influence everyone else. It’s all about popularism. 

A CEO of a big conglomerate wants to claim they are a force for good in the world. Their junior executives feel pressure to help make that boss look good, and their underlings feel that same pressure to make their bosses look good. So we have an economy of ego-soothing. Let’s say the CEO had a power dinner with another CEO and they shake hands on a deal. It doesn’t matter if they made a good deal or a bad deal. It’s not about whether using Salesforce will be beneficial. It’s about pretending that it’s a win-win so the boss looks like they made a smart choice.  That is where all the true emphasis is. The junior executives will scramble to maintain that illusion.  If the fallout entails enshittification, it’s all about kicking blame to the bottom so none of the executives or middle managers take the hit.  Problems don’t get resolved.  They get duct-taped at best. There’s a lot of churn at the bottom. 

The book Bullshit Jobs advocates reducing the average work week to 15 hours or less, since so many jobs/careers are extraneous.  I think that would result in short-term happiness for a lot of people, and it might have longer term effects that are positive. The idea has merit on its own. However, I am not convinced it would solve the entrenched problems of an attention economy.  Everyone wants to be heard.  Social climbers will continue to exploit the attention of the masses—and if most people suddenly had a lot more free time, that would give celebrities a lot more leverage.  Taylor Swift’s fans might organize to make a fan film, and that’s harmless fun.  Or a dangerous cult leader might entice millions of bored young people.  In other words, I don’t think that giving everyone more leisure time solves the pernicious problems engendered by societal wealth. 

In a lot of ways, the problem of excess jobs/wealth is like the problem of excess calories available. Overall, people are living longer and are not likely to die from starvation, but yeah, obesity has skyrocketed. Likewise, people now have easy access to a lot of leisure time.  Overall, people are more creatively expressive and not likely to die as overworked slaves doing hard menial labor.  But yeah, busywork nonsense jobs have skyrocketed.  

The universal basic income scenario, I think, does not address the root problems of massive societal wealth and an attention economy.  If people are truly unhappy drawing a high salary while actually doing nothing useful, then I’m not sure how drawing a low welfare income while actually doing nothing useful will cure that.  It sounds worse. It sounds like a potential recipe for resentment and despair—especially from people who actually do useful things.   

I hope society stops incentivizing salaried drudge work by forcing that to be the only possible way for average citizens to get healthcare and family care. We need more people building their own dreams, or researching a cure for cancer, instead of feeling trapped in a paradigm where they need to sell the best years of their lives in order to afford children and care for elderly parents and get basic necessities met. Why do self-employed creatives or innovators have to jump through a zillion legal and financial hoops for mere access to the basic societal services that a salaried box ticking middle manager automatically gets? 

Home loans and mortages.  Credit scores.  Insurance plans that function as automatic gatekeepers.  I’m not saying these things should necessarily be gotten rid of or redistributed, but *access* to them should be equalized. There’s no reason to gatekeep it on the basis of whether you’re white-collar, blue-collar, or self-employed. There’s no reason to turn managers (and people who pretend to work) into an unintentionally privileged class. That’s incentivizing the wrong things in society and civilization. That’s the problem I would want addressed. 

Feel free to have at me in the comments or wherever! You know where to find me on social media and email.

Publication day for MAJORITY

Today is the day!  I am now a published novelist.

What a journey it has been! I will have more books published, including the sequels to this one, which are already written. But this one is special. It’s the one I spent the most time on. It’s my first novel on Amazon. It’s the one with all the pressure on it, as a series starter. And it’s the start of a series that I stand proudly behind.

Reviews and sales are immensely important to authors. I really appreciate everyone who bought a copy, and those who are planning to write a review, or who already wrote one on Goodreads or Amazon.

If sci-fi isn’t your thing, I would appreciate it if you tell a friend, or perhaps gift it to someone who loves thoughtful sci-fi! For freebies and peeks into my life, you can subscribe to my newsletter.

Thanks for being part of my life!

Majority by Abby Goldsmith

abbygoldsmith.com/majority

Also, I gave a bunch of interviews for this one!  If you’d like to see what I’ve been up to, check out John Scalzi’s blog, Rune S Nielsen’s blog, Jendia Gammon’s substack, Bookishly Jewish, Queen’s Asylum, Bryan Aiello’s YouTube channel, Hinterspace podcast, NFS podcast and a Reddit AMA!

★★★★★ “Engaging from the start, this complex space opera features relatable, believable characters; highly original, meticulous world building; and difficult moral and ethical dilemmas.”

Booklist review

★★★★★ “Thoughtful explorations of morality, altruism, justice and mercy, and the idea that godlike powers come with godlike responsibilities add depth and breadth to this auspicious entry in SF literature’s mutant-superman genre.”

Kirkus review

A.I. Artwork And Writing: a writer-artist’s perspective.

From what I’ve seen, A.I. generated artwork has a certain aesthetic to it. Faces are rarely defined. Imagery may be riotously detailed, which gives a superficial impression that it was lovingly worked on by hand for many days, but it lacks a coherent theme. That gives the impression that it is dreamlike imagery, or slap-dabbed together by someone in a creative frenzy. It is a certain look.

Perhaps that aesthetic will always be appealing. But I wonder if it will wear out its welcome? I’m already getting worn out on it. I feel as if I can recognize it when I see it, and it’s not what I want for my finalized novel covers. (Short stories, maybe.)

And I think the same applies to Jasper A.I. and other A.I. writing tools. People who read a lot of blogs and articles are learning to recognize overly emotional language that is incongruously used for conveying generic or low-value content.

I’ve seen A.I. performers, where people pay a service that simulates an actor to read lines. There is an uncanny valley effect with those. The “actor” looks quite human, but they blink a bit too often, and their smiles are quick and small and weirdly constrained.

I don’t know how the arts will adapt to these things. But speaking as a writer-artist, I’m not thrilled about it. I think this is all part of the race-to-the-bottom in the arts. Companies don’t want to pay artists and writers. Now they don’t have to.

The question is: Will the public accept A.I. art and writing as equal to the real thing? Or will they tune it out eventually? Will they tend to gravitate towards art and writing created by real people? Or will enough people fail to see the difference, or fail to care, so that the money flows towards A.I. tools more than it flows to human writers and artists?

Chemotherapy Update: Infusion #4

I’m about to undergo my fourth and final infusion of oxaliplatin. This is hardcore stuff. It’s a “platinum agent” that goes directly into my arteries through a medical implant called a “port”, like I’m some kind of electronic device. What does ox do? Well, aside from making me feel awful–anemic, fatigued, nauseas, and sick–it kills fast-growing cells in my body. Those cells might all be benign cells, such as bone marrow, digestive tract cells, and hair follicles. Or they might be evil cancerous tumor cells. This aggressive chemo treatment is meant to reduce the chances of the cancer taking root elsewhere in my body.

I’ve learned a lot on this journey. To catch you up: I had concerns for more than a year before I was diagnosed with cancer. I thought I was having sudden and severe food allergies, severe enough for me to make multiple visits to my primary care physician. She assured me “It’s not cancer.” Her reasoning was that my white blood cell count was normal, so therefore, I guess she thought the pain was all in my head. I am still angry about that misdiagnosis. The takeaway: Pain is not something to be dismissed, even if your doctor tells you it’s nothing. Always pay attention to random pain. It means something.

The pains became worse and more frequent. Intestinal cancer is hard to find or diagnose, and I was misdiagnosed at two different Urgent Care centers. When it became unbearable for a week in December, my husband figured we should skip the medical centers and go straight to the ER at the nearest major hospital, Baylor Scott & White. The staff there kept me overnight, ran scans and so forth, and within a day, I was told that I had a cancerous tumor and needed emergency surgery to get rid of it. That was shocking. A colectomy is major surgery with risks, and I was asked to agree to it ASAP. I was otherwise healthy–no co-mormidities, I exercised daily–and I am relatively young. I never expected anything like this. But I am grateful to the gastroenterologist and surgeon at that hospital. They gave me the news straight without any sugar-coating.

So. The tumor was removed, along with 21 lymph nodes in order to stage the cancer. Recovery from that surgery was very painful and rough. But within two months, I was more or less back to normal. I went to an oncologist, who strongly recommended this “cap-ox” chemotherapy regimen, which is standard for colon cancer beyond stage 1. I sought a second opinion from an expert at MD Anderson, which is a major cancer center in Houston. The oncologist at MD Anderson strongly recommended the same thing.

Which brings me to now. I began the cap-ox treatment in April. It’s really no joke, as far as side effects go. And the effects are cumulative. They get a little worse each time. I am astounded that some people endure this chemo regimen for years, or even for their entire lives. I am very, very lucky in that my cancer has not metasticized. Otherwise I would need to be on chemo for much longer.

What side effects, you ask?

Well, right now I have a rash on the soles of my feet which makes walking difficult. It gets worse if I walk any distance. That’s an effect from the capecitabine pills, which are the “cap” part of the cap-ox regimen. So never mind my daily walks. I can’t do those. Nor can I go swimming, because chlorine will exacerbate the rash. I’m not exercising much these days. Also, I’m anemic. I feel weaker than usual. There are gastro effects which are somewhat mitigated with pills. I’m immunocompromised. So I’m not traveling. My hair?  Every time I brush it, the brush comes away with a bird’s nest of hair. So it’s falling out a lot more than usual, yet no one can tell, because it was so thick in the first place! I guess it might all be gone if I was on this chemo for 2+ years. But that isn’t the plan.

The worst part of chemotherapy happens 2-5 days after each oxaliplatin infusion. That’s when the mitigating drugs wear off while the ox infusion is still working its cell-killing magic. On those days, I get so weak and exhausted, I can barely walk up stairs. I have to stop and rest every few steps. It’s really a pronounced effect. Keep in mind that I am a person who typically goes for brisk hour-long walks on a daily basis.

Oxaliplatin also causes sensitivity to cold. That means no ice water, no smoothies, no reaching into the freezer, no running my hands under cold tap water.  If I do those things, I feel an electric shock sensation. Also, it worsens the neuropathy in my fingers and toes and lips, which is another terrible side effect. So far, the neuropathy has been temporary. It goes away after 8-10 days. I really hope it never comes back. I’m an artist and writer who needs to be able to type. But I have learned that it is permanent for some random unlucky patients.

Okay! That’s enough complaining. I just wanted to de-mystify what chemotherapy entails. There are different chemo regimens for different types of cancer; my experience is not universal to all cancer patients. But it is standard for colon cancer. It is also known as an aggressive treatment. There are slightly gentler treatments for patients with health complications.

On the happier side, this will be my final infusion! I expect to feel fully healthy and back to normal by mid-July. It takes a while for all this stuff to wear off.

And yes, the medical professionals will scan me and check up on me for 2 years on a regular basis. It’s important to monitor me, because cancer is evil and can be sneaky and recur. I am told that the chances of recurrences are 10%. I really hope I am a lucky one who never sees it again.

I’ve learned that cancer runs in one side of my family. My grandparents on that side both died from intestinal cancer–but they were in their 80s and 90s. Same with at least one of their siblings. One of my aunts on that side has defeated lung cancer and breast cancer. My parent on that side also has signs of blood cancer, and has defeated skin cancer. So… yeah. It lurks in genetics. I hadn’t known how widespread it was on that side of the family until this happened, and the family stories came out.

Wishing you all a healthy and cancer-free life!

Feeling Seen, Not Yet A Marketing Machine

I am becoming loud & proud about my self-pub procrastination. I was ashamed of it for a long time. I was constantly making excuses, and assuring friends/readers that yes, I will have the books for sale soon.

No.

In reality, here it is: I hate the concept of turning into a marketing machine.

Once I set the ball in motion on Amazon, I will have to transform into some kind of savvy businessperson if I want my epic series to have any chance in hell at being noticed. The fate of most self-pubbed books is that they drown in the ocean of obscurity. There’s a new book published every minute on Amazon. The self-pub success stories pour a ton of ad spend and marketing efforts into their series. This article about the failure of the long tail  says it well.

Instead of diving into book marketing, I’m very comfy serializing online. Readers kind of show up without me having to deploy ads or pour effort into newsletter swaps or study the dark arts of email campaigns. Readers say wonderfully nice things to me. It fulfills the part of me that wants acknowledgement/recognition for the magnum opus I’ve created.

So I’m admitting that I am procrastinating. I am freely telling people that I’ll get around to publishing and marketing my Torth series eventually… but I am enjoying the serialization life for now.

Also, I am probably going to do one more Hail Mary pass with literary agents. Yeah. Masochistic, I know.

At least this time, my expectations will be so low they’re subterranean. I’m aware that my series has no accurate comps, it does not match hot trends, it does not have a gimmicky angle that can be summarized in a sentence, and oh yeah, it’s not a stand-alone with series potential. It’s a full-fledged epic. Book 1 is an eternal problem. I was never able to make it behave.

But a few adventurous readers did take a chance on it, and some kept reading. So Book 1 does work for some people. I just don’t think that most literary agents are adventurous readers. They’re looking for “the same but different.”

Ah well. Why not collect at least 150 rejections, amiright?

Meanwhile, I have the excuse of chemotherapy for being lazy and not turning into a self-promotion marketing machine quite yet. I’m halfway through treatment. Hair is falling out, blood pressure is low, and I get very fatigued every third week due to oxaliplatin infusions. The other two weeks I can function pretty much normally. Hopefully there will be no trace of cancer after this.

Oh yeah! My new stand-alone novel-in-progress is a BREEZE in comparison to the Torth series. I’m not zooming ahead with passion on it. But dang, it’s easy and enjoyable. I think it may be easier to market, as well.

I’m also having a lot of fun creating 3D low poly art assets for my husband’s indie game. It’s his magnum opus, in the same way the Torth series is mine. His abilities with programming are blowing my mind.

Wedding! August 2021

We got married!

Abby & Adam

Abby & Adam

Here’s our wedding website, if you want details about how we met and all that.

Adam has definitely changed my life for the better. He challenges me intellectually and creatively, he gives me excitement and a sense of peace, and he reads my books and supports my author career aspirations as a #1 fan. I’ve loved him for 9 years.

Nothing has really changed, but we made it official, with a rubber stamp and a meeting of our families. This was just the right size of wedding for us, small and casual.

Here is the recorded video of our marriage ceremony:

Afterwards, we stayed in a cabin in the Rocky Mountains, we drove up Pike’s Peak, we bought some artwork in Taos, and we watched the sunset in White Sands National Park. A beautiful week!

Thank you to everyone who showed up in person, and on livestream, and to everyone who sent us gifts and cards!

iLasik Post-Op, Day One

I’ve needed glasses since age six, with -10 vision (which translates to 20/1000), plus mild astigmatisms. Yesterday I got Lasik surgery to correct my myopia and astigmatisms, with an Intralase Wavefront excimer (molecular) laser.

From what I understand, this super-accurate laser was developed in the last 10 years. Prior to 2009 or so, I wouldn’t have been eligible for Lasik. There would have been blades involved, and a recovery period of months, if I could do it at all. This is a new kind of iLasik, which should have me recovered and seeing 20/20 within a week, and fully healed within 3 months.

You may be wondering what the procedure feels like.

First, they gave me a Valium and two Aleve. I sat in a waiting room with Adam (my significant other) with Disney-esque music piped in, so I felt like I was going to visit the land of Tomorrow, or maybe a theme park.

While those meds took effect, an assistant cleaned my eyes with drops and iodine around the skin. The surgeon came in and used drops to numb my eyes, and then used a marker to draw directly on my eyeballs, showing where the astigmatisms were. I was getting super nervous. The surgeon left and came back in to check on me. I must have been freaking out a little, because he backed out, saying, “We’ll wait a little longer for that Valium to take effect.”

Sure enough, I felt calmer after a few minutes, although still freaked out. The assistants put a surgical cap on me, and surgical booties on my feet. They led me to the operating room, which is kept chilly. A large window enabled Adam to sit outside and watch the procedure; he took the featured photo.

Three people were in the operating room, besides me: The surgeon, the surgeon’s assistant, and a laser tech. They lay me down on a bed that can rotate between two large laser machines. One machine makes the incision in the cornea. The other machine corrects vision. While the surgeon worked, the assistant talked me through everything that was happening, and made sure I followed the directions, which was very helpful and prevented me from completely freaking out.

They filled my eyes with numbing drops. Then they prepped my eyes, and began surgery on my right eye first. They used tape to keep my eyelashes out of the way, and a glassy monocle thing to keep my eye open. They used suction cups on my eyeballs, too. It’s a very fast and uncomfortable procedure, where I had to gaze at a blinking orange light while I felt weird pressures on my eye. No pain, due to the numbing drops.

Then that eye was covered, and they lasered my left eye. For some reason, I had trouble focusing on the orange blinking light with my left eye. It was so out of focus, it seemed to fill my vision. The laser stopped a few times, since it was having trouble tracking my eye. But soon it was done.

Immediately after surgery, my vision was streaky and steamed up, as if looking through warped and wet glass. I had to keep my eyes closed. A driver is necessary for Lasik, and Adam led me to the car and drove me home.

The Lasik place gave me eyedrops with antibiotics and steroids to help the inflammation, and told me to use those, then sleep for 4-6 hours, or to rest with my eyes closed. They told me there would be some pain once the numbing drops wore off.

Pain woke me up after about an hour of sleep. It was very intense pain, and I think that may be because I had such a high prescription. My eyes felt badly sunburned, as if I had witnessed a nuclear explosion up close. I’ve had eye pain before from contact lens problems, which felt like hydrochloric acid. This was more like burning. It was very intense. I took a Tylenol, and was alarmed enough that Adam called the Lasik center to make sure it was normal. They said that they pain should go away around 8pm.

Sure enough, it did!

I ate dinner, and noticed that my eyesight was improving in weird ways. It wasn’t 20/20, but it was definitely better than 20/1000. I estimate it to be somewhere in between, maybe like 20/200. Things up close were clear, but things beyond 5 feet or so were foggy and indistinct.

I went to sleep. Friends who have had Lasik say they see very well the next day, and I was hopeful that I’d be able to drive myself to my post-op eye appointment in the morning.

It isn’t quite like that. I woke up seeing much more clearly, and the pain was gone. Far distances still look blurry. Everything looks like it’s though a soft light filter, the way wedding photos are softened. My right eye is seeing much better than the left. This is creating a weird, disorienting effect. If I close my right eye, this computer screen (as I type this blog post) is barely legible due to blurriness. If I close my left eye, it is crystal clear.

My post-op appointment was with my regular optometrist. He said the eyes heal at different rates, and the difference may also be due to inflammation. My high prescription meant they burned away a lot of cornea. He said I am healing well.

For now, this is pretty cool. I can use a computer and read without glasses! We will see how things are in a week, with my next appointment.

Adventure in Italy: Milan and Home

It was time to check out and head to Val Calmonica. This was going to be most offbeat part of our trip, in an obscure mountain range, to see neolithic rock art. We packed up our stuff, checked out of the Verona apartment by 10 AM, and proceeded on the two hour drive through Brescia and past Lake Iseo, to Breno.

Lake Iseo, Italy

All of the Alps and alpine lakes of northern Italy are beautiful, but I think Lake Iseo might be one of the most stunning. It’s cradled between green mountains, like a volcanic lake, with a huge mountainous island in the middle. We took a winding highway along cliffs, past the lake, through a series of long tunnels. Some of these tunnels have archways that offer glimpses of a mountain panorama, but you can’t stop, because traffic moves fast and there’s no shoulder on the roadway. My GPS began to look like the cave level of a video-game. There were roads and towns on top of tunnels. A few of these very long tunnels slope downward, so it feels like a roller-coaster into the center of the Earth for fifteen or twenty minutes at a time.

Lake Iseo, Italy

Lake Iseo, Italy

We arrived in the picturesque town of Breno. Hotel Giardino was easy to find, and it looked lovely. However, when we checked in, I couldn’t find my passport. This was a severe problem, since my flight home was in two days!

I emptied my purse and my backpack. I searched the car. It was nowhere to be found. I figured it couldn’t possibly be in my suitcase—why would I put it there? I never put important things in my suitcase, just clothes and gifts—so I figured that checking the tightly packed suitcase would be a waste of time. As far as I could remember, I only ever put my passport in one of two places, and it was simply gone. And my backup credit card was also missing!

Missing U.S.A. Passport in Italy!

It seemed impossible, since I keep a close eye on my stuff while traveling. Neither of my friends were missing anything, and they had left their passports in the Verona apartment during day trips, just like I thought I had.

So I had a mini-panic attack. I couldn’t begin to guess how I had lost the passport and card. We spent the rest of the day trying to figure out how to obtain an emergency passport. Only the hotel lobby had Wi-Fi. I downloaded Google Voice and proceeded to try to get a hold of the nearest U.S. Consulate in Milan, which was closed that day, since it was a weekend. I called the apartment in Verona and asked them to search the room for my passport. They did, and when I called back, they apologized, saying they did not find it.

Then I followed government website instructions and reported the missing passport to Italian police. This needed to be done in person. The report can be made to any police station in Italy, and the local one was an 8 minute walk up a hill. Amy kindly offered to come with me.

I was wary of entering an Italian police station, especially since it had a locked gate and barred windows (albeit a gorgeous view of the Alps). But at least I wasn’t alone, and the desk officer seemed nice, and he expected me, since the hotel manager had called ahead. He filed a report. This took longer than I expected, maybe half an hour, and involved some paperwork. His office was decorated with interesting pictures of police doing good deeds, and also a large wooden Jesus on a cross. Finished, he handed me a paper and said, “This will help you at the Consulate.”

Breno, Italy

Breno, Italy

Breno looked like a beautiful place to spend a day, and I was sorry to miss touring the area. Apparently there was a Renaissance Faire going on at the local castle—the king and queen came downstairs in our hotel—and I am super curious as to how an Italian Renaissance Faire differs from the silly merchandise-fests we have in North America. But I was too worried about my missing passport to enjoy anything. As far as I could tell, the only way to get an emergency passport would be early on Monday morning at the U.S. Consulate in Milan. I needed to be in Milan by 8 AM the next day.

So we packed up again, and the hotel kindly offered a discount, since we had only stayed a few hours. We drove 2.5 hours to Milan and checked into our final hotel of the trip, one day early.

And guess what? Once we settled into our rooms, I methodically unpacked everything from my suitcase … and there it was. My passport and my credit card were both at the very bottom of my suitcase, buried under a lot of stuff.  I think that traveling causes me to be less organized and more forgetful than I normally am. My daily life at home can be such a routine that I never make mistakes like that; I know exactly where my stuff is.  I swear, I’ve never lost a credit card or a passport or anything like that in my life! This was embarrassing.

We tried to get a good night’s rest in this large hotel; a snazzy high-rise in the middle of a suburban area. For me, it was difficult, with hard beds and barely functional air conditioning. At least I didn’t need to wake up early to wait in line at the Consulate!

A Day of Exploring Milan, Italy

The next day—our final day of vacation together—we explored Milan, and the weather actually cooled off a little bit. First, we explored the canal, which the desk receptionist recommended as a nice area for shopping and food. This involved a bus ride on the tollway, and then figuring out the underground Metro rail. The bus was more difficult to figure out than the subway. We had trouble finding the pick up area, and we learned—by sheer luck, due to the kindness of an Italian stranger—that the return bus would depart from a different street.

Anyway, after some navigational confusion, we found ourselves in the canal area, populated by outdoor restaurants. Most of the shops were closed, since Italians tend to take off Mondays. We had a delicious meal, listened to thunder, and went back to the Metro before a downpour started.

Canal of Milan, Italy

Canal of Milan, Italy

We emerged at the Duomo of Milan; the enormous, ornate, pink marble Gothic cathedral which is the city’s icon. Of course, there was a line of tourists wrapped around one side of the building, so we decided not to go inside. The outside of the cathedral is impressive enough; more beautiful than Notre Dame in Paris. The spires look like drip castles, each one topped by a statue holding some kind of instrument or weapon. The whole front facade is crazy with statues and reliefs, and the iron doors are all embossed with scenes as well.

Duomo of Milan

Duomo of Milan

We strolled through the grand hall nearby. The Galleria Vittorio Emanuele II has high-end stores, impressive marble floors, wrought iron balconies, and an arched smoky glass ceiling that evokes the 1890s. We passed Armani shops and explored the bookstore, interested to see which popular American authors have been translated into Italian. I was pleased to see books by a couple of hybrid authors (traditionally published, but originally independent authors). Then we had some expensive and fancy gelato, waiting for the storm to pass.

Galleria of Milan

Galleria of Milan

At a break in the rain, we reentered the Metro and emerged at the Sforza Castle. The interior museums were all closed, since it was Monday, but the outer grounds and inner courtyards are open to the public. We passed an outdoor polka concert and proceeded over the drawbridge and into the impressive interior. Hey, I’ve watched “The Borgias” by Showtime, so maybe I know a little bit about the Sforza family!

There seem to be dozens of stray cats and kittens that live on the castle grounds. People were petting them. I wonder how they get into the grassy moat area, and how they get back out. We took a few kitty photos, pondered some ancient sarcophagi and Roman pillars, and then headed back to our hotel.

Sforza Castle in Milan, Italy

Sforza Castle in Milan, Italy

Dinner was at an Italian shopping mall next to our hotel. This mall seemed to be mostly devoted to a cinema, a playland for kids, and a floor full of restaurants, with very few stores. The restaurants were arranged like plaza restaurants, with outdoor seating, except it was in the mall hallway instead of in an outdoor plaza. The night before, we had eaten at one of these restaurants, and it blasted loud Italian pop music. So this night, we decided to explore the cinema floor. We discovered an American-themed restaurant called Old Wild West. Cute! It had bench seats designed to look like covered wagons. The menu featured dishes named after Western states (and a few not-so-Western ones, like Mississippi and Kentucky).

That was our goodbye meal. We clinked our wine glasses together, and prepared for our flights the next day. Brian was heading to Vienna, Austria for a week. Amy had a morning flight back to New England. I had an Emirates flight to JFK in New York, with a JetBlue connection back to Austin.

Milan-Malpensa Airport

There isn’t much more to recount. With help from Brian, I found the airport without any trouble, although we both got a little confused about the rental car return. We accidentally entered a long-term parking lot. Fortunately, we figured out how to get out of it, and into the WinRent garage section, on our second try. second try. They sent me a bill for the final half-tank of diesel, and it was a bit more than I would have wanted. Oops.

I went through a long mob of a line at the Emirates counter, and Brian had to wait a long time for his Austrian Air counter to open up. Once we each got our boarding passes and checked our luggage, we had a delicious meal at an airport restaurant called Rosso Pomo Doro. Then we had to say goodbye at the security checkpoint.

The Milan-Malpensa airport is weird (at least, to me). The airport seems small by U.S. standards, but the gates are spread far apart, so it can be a 25 minute hike to your gate even if you speed-walk (the monitors helpfully show walking times). Everything is glitzy and glamorous-looking. I figured I had some time after I went through security, but it turned out there is an extra “passport” checkpoint after the security checkpoint for overseas flights. There were no signs to forewarn people, so families were panicking, cutting through the slow-moving passport line so as not to miss their overseas flights to Dubai or New Dehli or Melbourne. I shuffled through this long line with everyone else, and managed to arrive at my gate with probably twenty minutes to spare.

The Emirates flight from JFK to New York was overbooked and crowded, but the plane had a nice interior design, with plenty of USB and electrical outlets, and recessed lighting. This is the largest Airbus possible, with two floors that run the length of the plane. It requires three separate gate tunnels to board all 500 passengers. And then there was the usual confusion at JFK airport, with rechecking luggage.

I downloaded the U.S. Government’s mobile passport app, but it was useless without an internet connection; I guess the overseas flight jacks up AT&T or something, because I was unable to get connectivity even after restarting my phone and restarting the wi-fi.  It works fine now, after a few hours.

Glad I built in an extra day of vacation to account for jet lag!

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